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													"1000 A.D. 
													Constantinople Byzantine 
													Princess" 
													  
													
													 
													In Constantinople, in this 
													age, a Byzantine Princess 
													was not in control of her 
													destiny. She was, to be 
													trite, a pawn of the Ship of 
													State. Because she was born 
													a woman, and not a man, she 
													was to be married off to 
													whomever would benefit her 
													family and government. 
													 
													Though her dress does 
													consist of many happy colors 
													that should remind her of 
													happy times, there was no 
													escape. Nothing could help 
													her, and the chain, 
													decorative, or not, was to 
													remind her. The tiny hook at 
													her throat captures her like 
													a hapless fish on a hook and 
													line. 
													 
													The background seems to 
													seethe with its emotional 
													colors, buffeting her with 
													its currents, beyond her 
													control. The lines snaking 
													out from her are her wild 
													emotions or are the fates 
													trying to ensnare her? And 
													winds blow her to her fate. 
													
													 
													
													
													
													Note from the Artist: The 
													royal weaving staff (that’s 
													me) wove her garment on an 
													AVL loom, using 12 shafts. 
													It is basically straight 
													twills, with some 
													directional changes. The 
													treading is as drawn in 
													(means that it copies the 
													threading pattern). It is 
													what I call a “meandering” 
													twill with some broken twill 
													areas. The fibers are perle 
													cottons, used for brightness 
													of color and shine.  
													 
													The complexity of this piece 
													is in the color selection, 
													both warp and weft. The 
													colors seem to vibrate 
													against each other. Golden’s 
													Interference paints give the 
													background its movement. 
													 
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